19 AUGUST 2003 EMU STUDIO ADELAIDE
MUSIC OF TRANSPARENT MEANS


1.

Egress
(RUSSELL GOODWIN)

PERFORMERS: Melissa Ballantyne, Zoe Barry, Kate Ben-Tovim, Daniel Binks, Gabby Bond, David Brookes, Alex Carpenter, Sam Carpenter, Cambell Davison, Karen De Nardi, Andrew Ellison, Russell Goodwin, Lily Gower, Aleks Habus, Luke Harrald, Rebecca McLoughlin, Daniel Mohor, Allye Sinclair, Matthew Timmis, Tamika White

Egress

 


2.

Third Presencing
(ALEX CARPENTER)

PERCUSSION: Alex Carpenter, Sam Carpenter, Daniel Mohor
PREPARED GUITARS: Daniel Binks, Cambell Davison, Russell Goodwin, Luke Harrald, Matthew Timmis, Tamika White
SAXOPHONES: Kate Ben-Tovim, David Brookes, Lily Gower, Rebecca McLoughlin
VIOLAS: Gabby Bond, Karen De Nardi
CELLOS: Zoe Barry, Allye Sinclair
TROMBONES: Melissa Ballantyne, Andrew Ellison
CUE CARDS: Aleks Habus

Third Presencing

 


3.

Second Presencing  [excerpt 1] [excerpt 2]
(ALEX CARPENTER)

KEYBOARD, DELAY: Alex Carpenter

Second Presencing

 


4.

Emerging Like An Infant From The House Of Truth  [excerpt]
(ALEX CARPENTER)

PERCUSSION: Sam Carpenter, Daniel Mohor
KEYBOARDS: Alex Carpenter, Cambell Davison, Tamika White
BOWED GUITARS: Daniel Binks, Russell Goodwin, Aleks Habus, Luke Harrald, Matthew Timmis
SAXOPHONES: Kate Ben-Tovim, David Brookes, Lily Gower, Rebecca McLoughlin
AMPLIFIED VIOLAS: Gabby Bond, Karen De Nardi
AMPLIFIED CELLOS: Zoe Barry, Allye Sinclair
TROMBONES: Melissa Ballantyne, Andrew Ellison

Emerging Like An Infant From The House Of Truth

 


RUSSELL PROGRAM NOTES:

 

Dear friends,

One set of senses, one mind (if you're lucky) and a sea of possibilities.

Throw your net out and see what you might drag in. Process like mad and justify your results. How long will your first catch last?
So you throw your net out again, even further than before. You reel it back in and pick through the spoils. How long will this catch last?
Tighten the weave on the net, make it bigger and make it stronger.
Aim further, throw harder and reel it back faster. How long can you last?

Consistency motivates and gives you strength.
You can throw that net even further now and not even raise a sweat.
But until you bag the knower, you'll never rest again.
In the end you're just fishing, fishing for whatever gets caught.
Who was the brat, that malcontent who turned it into sport?

Yours,
Russell Goodwin

 


ALEX PROGRAM NOTES:

 

Where to now? This is not some offhand question, but the undying riddle pervading my consciousness. I have gone into some sort of shutdown. Like I'm dying. All I care about and all I have lived for is something I have stripped bare to a point of nothingness, the point at its very core. No longer has it a body to touch, or even an image to walk towards. So how am I to move? I imagine thought can make me walk again, yet it is the deepest possible thought which brought me here. But where am I? Where is "here"? Here is a place where illusion ends and death begins. The mind has led the body, for it found nothingness first and now the body is dying too. Dis-ease is not the human body out of balance; it is the human body in balance with nothingness. For nothingness could never give a person "ease." Ease is what a person feels when distracted, when sheltered from nothingness. But once this shelter is removed, ease is disrupted and sickness sets in -- the body itself begins to approach nothing. Do we ever really emerge from the shelter of the womb? Only finally in death. Humans survive birth by building new wombs of their own. Social, technological and ideological habitats which ensure the continued shelter of infancy. We are not born into the shapeless light of reality, because from the moment we leave the womb we are building a new house, a new structure of protection: truth. This is the structure I defied, and because I defied it, it expelled me. I emerged from its darkness and felt the shapeless light eat into my body, overtake me. Outside the house of truth, there is no separation of things, only unity. A person outside the house therefore cannot exist but only merge with this unity. I had begun to disappear. This is now where I stand: a place of half-existence, looking away from life itself. Self-preservation will only come from a regression, a painful retreat back into illusion. Yet this will no longer be the same illusion—obtrusive and concealing. It can only be an illusion of transparency now, a faded structure behind which the shapeless light remains visible, remains primary. I will see the same shapes, the same "truths" as before, but no longer will they encase me, no longer will they cloud my vision of the ultimate light. For I will see they are in this light and this light is in them. This will be the lasting revelation of my momentary death: that the shaped and the shapeless are one.

Alex Carpenter, May 2003

 


CREDITS

DIRECTION AND MUSIC: Russell Goodwin (1), Alex Carpenter (2, 3 & 4)

TECHNICAL SUPPORT: Tom Szucs, Lisa McLean

FRONT OF HOUSE: Lisa McLean

 

THANK YOU

Jim Bailey, Alan Bindig, Richard Craker, Mary Filsell, Richard Jasiowsky, Chris Lau, Lisa McLean, Andrew Moncrieff, Kirsty Radestock, Tom Szucs, Stephen Whittington, and all the performers


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